This week stretched me in a way that felt both technical and freeing. Perspective can be intimidating, but once I got into the rhythm of it I started to see how much it supports everything else I create. I also worked through a few subtractive assignments that reminded me how important it is to let go of perfection and focus on shapes, values, and depth.
Perspective Drawing in Graphite
The two hour perspective drawing was a challenge. There were so many windows, angles, and tiny architectural details that demanded accuracy. I had to find a balance between moving quickly and slowing down enough to honor the details. The scaling tool was helpful, but I am still learning how to use it smoothly. Even though it felt fussy at times, I could see how much the structure of this assignment strengthened my eye.
Charcoal City Subtraction Assignment
This one made me laugh at myself. I accidentally used a willow stick for the entire drawing, which meant if I brushed against it even lightly, the whole thing wiped away. I had to work slowly and intentionally, almost like I was sculpting with powder. Thankfully, a good spray of fixative saved it. The end result has a softness I would not have achieved if I had not made that little mistake.
Oil Subtraction City Underpainting
Step 1: Structure and Warm vs Cool
This is where the week started to feel natural to me. I identified the vanishing point, found the major structures, and started to feel more confident with the scaling tool. I also spent time noticing how warm and cool colors create distance. Those discoveries always feel like magic.
Step 2: Glazing and Opaques
Glazing is one of my favorite parts of the entire painting process. I love how a thin layer of color can shift the mood and add depth. When I switched to opaques, I had to get out of my head and think in simple shapes, especially in the background. After adding the opaques, I saw areas that were suddenly too light, so I glazed over a few spots to bring back the atmosphere I wanted. It was a dance between control and intuition.
Crowd of People Charcoal Assignment
I did not love the resource options for this assignment at first. Once I stopped thinking about drawing people and instead looked at shapes, shadows, and values, it became easier. It turned into one of the most relaxing assignments of the week. Focusing on the big picture rather than outlines helped me see the scene differently.
What I Learned This Week
I learned that perspective does not have to feel rigid. It can support my creativity instead of limiting it. I learned to trust subtractive techniques, even when the material is fragile. And I learned once again that the heart of art is seeing shapes, light, and energy before focusing on details.
This week gave me more confidence in handling structure while still allowing myself to play.
